Cartoon
Kings
Behind every animated classic is the influence of
The Fleischer Brothers
synopsis
This is the epic story of the Fleischer brothers, pioneers of the modern animation industry who profoundly influenced many of the world’s top animators. They invented the rotoscope that first made motion lifelike. They were the first to mix live action with animation, and the first to make a sound cartoon. They produced the first feature animation based on an original screenplay. Walt Disney copied them, poached their animators, and became their biggest rival.
While the Disney aesthetic was cheery and reflected his Midwest upbringing, the Fleischer cartoons were surreal, with characters who had a distinctly New York aesthetic. They were funny, edgy, and hugely popular. But at the height of the studio’s success in 1942, Paramount Pictures shut them down and put the brothers out of business, and they never spoke to each other again.
WATCH the sizzle
Featuring
Peter Ramsey
Spider-Man, Into the Spider-Verse
David Silverman
The Simpsons
Yvette Kaplan
Beavis & Butthead
Jorge Gutierrez
The Book of Life
Bill Plympton
“King of Indie Animation”
Chris Prynoski
BIG MOUTH
Syvain Chomet
The Triplets of Belleville
Tom Ruegger
Animaniacs
Brad Bird
The Incredibles
Mike Hollingsworth
BoJack Horseman
Henry Selick
THE Nightmare Before Christmas
Genndy Tartakovsky
Hotel Transylvania
Tim Johnson
Home
Ralph Bakshi
Fritz the Cat
“Cartoon Kings reminds me of why this medium remains so vital and affecting.”
Ken burns
Documentarian
Praise
“There’s something joyful and light in the quality of their animation, a raw vibrancy that feels slightly uncontrolled but very joyful and enthusiastic.”
PETER RAMSEY
Spider-Man, Into the Spider-Verse
“They were trying stuff. They were pushing further than anybody else was pushing.”
CHRIS PRYNOSKI
Big Mouth
“We see the Fleischers’ comedic and aesthetic imprint on everything from classic Hollywood cinema to Loony Tunes cartoons to The Simpsons.”
CARMENITA HIGGENBOTHAM
Dean, Virginia Commonwealth University
“The Fleischer story shines as both an inspiration to today’s filmmakers and as stimulation for the next generation of animated dreamers.”
JERRY BECK
President, ASIFA-Hollywood – International Animated Film Society
Team
Asaf Galay
Director
is an acclaimed international filmmaker with a passion for stories on Jewish subjects that illuminate the human condition. His most recent documentaries include The Adventures of Saul Bellow (2022), Army of Lovers in the Holy Land (2018), The Hebrew Superhero (2015), and The Muses of Bashevis Singer (2014).
Kathryn Dietz
Producer
has produced numerous award-winning feature documentaries for PBS’ Frontline and American Experience series, including ten hours on Chinese history and biographies of Eleanor Roosevelt and Mary Pickford. She worked with Mr. Galay as an executive producer of his Saul Bellow film.
Avner Shahaf
Cinematographer
has decades of award-winning experience. His recent work includes Zero Days by Alex Gibney; The Gatekeepers by Dror Moreh, which was nominated for an Oscar; Avenging Evil by Nick Green; The Devil Next Door by Daniel Sivan and Yossi Bloch for Netflix; and Dirty Tricks by Daniel Sivan for Showtime.
Tal Rabiner
Editor
has edited all of the films by Asaf Galay. Her other credits include Jonathan Agassi Saved My Life, Mr. Gaga, Google Baby, and the television series Buried. Her work has been featured at Sundance, IDFA, Berlinale, and Hot Docs.
PETER RAMSEY
Executive Producer
began his career as a storyboard artist on several feature films including Bram Stoker’s Dracula, Boyz n the Hood, Minority Report, and Fight Club. He directed DreamWorks Animation’s Rise of the Guardians and was a director on Sony Pictures Animation’s Spider-Man: Into the Spider-Verse, which won an Academy Award for Best Animated Feature. He is currently developing and producing both live action and animated projects for Netflix and Disney Plus.
POP+POP SHOP
VFX Studio
is a boutique motion graphics and VFX studio specializing in bespoke, story-driven visuals for film and television. With 15+ years of experience crafting visual identities for 80+ films and series (including Emmy and Cinema Eye–recognized work), they bring a mixed-media, format-agnostic approach to every project.
STATUS
We began work on this six episode series nearly seven years ago, with a gap in production during the pandemic. It has grown from a one-hour film for PBS to a six-episode series for multiple platforms in the U.S. and abroad.
The funding to date has come from the National Endowment for the Humanities, and the first prize award for the Library of Congress Lavine/Ken Burns Prize for Film.
We are now in post production, preparing the first episodes for festivals and getting ready for distribution in 2027.
episodes
1. The Inventor & The Clown
Max has the vision, Dave has the comedic genius, and together they create magical cartoons blending live action with animation – which Walt Disney copies.
2. Surreal Karaoke
The Fleischers are first to make their cartoon talks, with bouncing ball sing-alongs and New York jazz, experimenting with surreal and sexy content for adults.
4. Popeye, the Working Class Hero
Spinach turns this scrappy, one-eyed sailor into a superhero, and soon he is the most popular cartoon character in America, ironically triggering the animation industry’s first strike.
3. Betty Boop, THE Pin-Up Girl Next Door
Betty Boop starts out as a part-dog character meant to rival Mickey Mouse, but with a few adjustments she becomes a sexy, independent woman and the Fleischer’s biggest star.
5. The Battle of the Features
Max and Dave dream of making a cartoon feature to rival Disney’s Snow White, and their Gulliver’s Travels is a hit, but clashes between the brothers, and sky-high debts to Paramount, put their studio at risk.
6. It’s a Bird, it’s a Plane, it’s the End
Superman is a brilliantly rendered comic book hero and wins the Fleischers their first Emmy, but it premieres just after the bombing of Pearl Harbor and is a box office flop. Paramount fires Max and Dave and takes ownership of everything.